Wednesday, March 2, 2016

Judith Scott


This semester, I am taking a studio class about installation art. We are currently dong a collaborative piece; I have three group members to help me address a very strange and dirty basement space. We have created a narrow passageway that we plan to fill with a variety materials to create a space of bodily awareness. The floor will be made up of bound together soft materials to create an unstable surface upon which to walk, while the ceiling will be lowered by draped material through which the participant will have to navigate. One of my main inspirations for this project is Judith Scott, and artist who works by binding together materials. When I was explaining this to my group and showing them images, I felt a small personal dilemma. Judith Scott has Down Syndrome, but despite her disability makes beautiful work that I find compelling. For some reason, when I was showing my group images of her work, I was unsure whether I should mention the fact that the artist is disabled. I felt a little embarrassed, or perhaps ashamed, that I was struggling with this. It should not matter, should it? When I first was shown her work, I did not know about her disability and I loved it. I went to the library and checked out a book about her, and it was only after flipping though that book that I discovered that the artist had Down Syndrome. For some reason, I felt like that changed her work. This is a concept that I am still struggling with. On the one hand, perhaps art should be appreciated without any importance put on the identity of the artist. But another part of me feels that where the artist is coming from in important, that it adds content to the work. But I feel a little uncomfortable that my first reaction to the work was that disability meant lack of intention; that is a very closed minded assumption for me to have made. Scott’s experience are no less legitimate than mine, and neither is her work. There is no prerequisite for being an artist. And I think that it is limiting if the discussion surrounding her work is focused on her disability rather than her ability. Her work is beautiful, with no conditions, and I hope that my group’s basement installation can come close to embodying what I love about Scott’s work.